Art, Water, and Ocean Sustainability from a Caribbean Perspective – Maanarak of Grey


Women Mind in Water: Artivist Series Art, Water, and Ocean Sustainability from a Caribbean Perspective – Maanarak of Grey

About Manaarak of Grey

Manaarak of Grey is a visual artist and storyteller who lives in the Netherlands. Maanarak grew up on the Caribbean Island of Bonaire. She believes the ocean and water are a vital part of life for humans and the ecosystem. Maanarak likes to use her platform to talk about current issues and offer solutions from the perspective of someone who has studied international development management. On the Women Mind the Water Artivist Series she shares her thoughts about the ocean, plastic pollution, collaboration and art.

Plastic Pollution, Microplastics, and Ocean Sustainability

Maanarak of Grey believes the ocean and water are vital to human life, healthy ecosystems, and the future of the planet. Growing up on Bonaire, a Caribbean island surrounded by water, she developed a deep awareness of the ocean’s importance and fragility.

She is especially concerned about the increasing rates of coral bleaching, which are linked to climate change and human activity. She is also alarmed by the way marine animals, including sea turtles, mistake plastic pollution for food. For Maanarak, these issues are not abstract environmental problems. They are visible reminders of how closely human choices are tied to ocean health.

Through her collaboration with Women Mind the Water, Maanarak created a series of graphic images designed to raise awareness about plastic pollution and microplastics. Each of the three images includes microplastics in the background, symbolizing the way plastic does not truly biodegrade. Instead, it breaks down into tiny pieces that remain in the environment and become part of the ocean ecosystem.

The repeating patterns in each design reflect how individual actions add up, both personally and collectively. Small daily choices may seem insignificant on their own, but over time, they become part of a much larger environmental impact.

One image features a toothbrush, a symbol Maanarak chose because of how closely plastic is connected to daily life.

“Thinking about how we consume plastic, how we are engulfed by plastic, I chose the toothbrush as a symbol of plastic. It is the one plastic object that is day in and day out in our mouths. We wake up and brush our teeth and before we go to bed we brush our teeth. Sunrise and sunset, we have plastic in our mouths.”

A second image features plastic bottles, one of the most common forms of plastic pollution found around the world. For Maanarak, plastic bottles also point to a larger issue: the importance of access to clean water. The object represents both convenience and inequality, pollution and necessity.

Her third image features a plastic bag, another familiar object in the global plastic waste crisis. This design includes the words “Thank you,” adding a note of humor and critique. As Maanarak asks, “Are the plastic bag manufacturers thanking us for polluting?”

Through these works, Maanarak invites people to think more deeply about how much plastic surrounds us, how often we use it, and how easily it becomes part of our bodies, oceans, and ecosystems. While individual action matters, she also believes plastic producers need to take greater responsibility for the problem. Rather than relying on the idea that plastic can simply be recycled, she argues that producers must reduce plastic at the source and stop placing the burden entirely on consumers.

Pam Ferris-Olson

Pam Ferris-Olson has a Ph.D. in Leadership and Change from Antioch University and master’s degrees in Biology and Natural Resource Science. She has studied ocean creatures, worked in communications, and now focuses on the relationship between women, water, and communication.

Pam has worked as an educator, writer, photographer, videographer, artist, and podcaster.  Her work has appeared on TV, in newspapers and magazines, and on a host of online sites. .Her non-fiction book, Living in the Heartland: Three Extraordinary Women’s Stories, featured three contemporary women as they struggle to live graceful lives weighed down by generational trauma and systemic racism. Both her dissertation and her book demonstrate that even though our personal journeys differ, they still resonate with us. These stories connect and lift us.

Pam’s work now focuses on the ocean. She is an ecological artist creating quirky images of marine animals and installations aimed at engaging, informing, and stimulating dialog. She is a podcaster and hosts the Women Mind the Water Artivist Series which explores the connection between the work of artivists and their impact in influencing change.

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Plastics are Forever, Wearable Art from Beach Plastic - Blue deGersigny

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Crochet Coral Reef Project - Margaret Wertheim